A Fishing Canoe from the Ecuador Coast

Continuing our series on boats and related artifacts that we observed recently at museums in Ecuador, we'll look now at a examples from a very fine exhibit of the country's diverse cultures at the Museo Pumapungo in the lovely city of Cuenca. (For the first post in this series, see this article about an Amazonian logboat.)

The first item, the canoe that follows, was built by cholo pescadores -- literally "mixed-race fishermen" -- on the Pacific coast. Like many Ecuadorians, cholo are of mixed Indian and Spanish descent. The more common term for that genetic mixture in Ecuador and elsewhere in Latin America is mestaje (i.e., mestizo, literally meaning "miscegenation," but used in a nonperjorative sense to mean simply "mixed race"), but the cholo pescadores are considered a distinct culture. What follows is my sadly unfluent translation of the exhibit card, the only information provided about the boat and related items:

Cholo Pescador  

They are so called because of mixed Indian/Spanish ancestry and their primary economic activity. They live at the seashore in small towns or compounds.  

Fishing in canoes and bongos*, using cast nets, trammel nets and other devices, is done at night or at dawn, as a group, and they return at noon. They tend to be organized in cooperatives and are abandoning traditional techniques and boats.  

The mangrove is an important part of the coastal ecosystem; However, in the places where the fisherman lived traditionally, shrimp farms and logging are now causing major alterations in the life of the inhabitants and in the natural balance.  

The cholo pescador's language is Spanish, with unique modalities and tones. It has a rich poetic and narrative oral tradition. (The culture's) main festivals are those of the Virgin of Monserrate, María Auxiliadora, San Jacinto and St. Peter the Fisherman.

*The meaning of "bongo" as a type of watercraft is unknown. Reader input is requested.

Th cholo canoe on display is small, probably 12 feet long or less. It is plank-built, with a flat bottom that rises at both ends, hard chines, and nearly vertical sides. Given its small size, we conclude the boat is used by a single fisherman in protected waters, possibly amidst the local mangrove swamps that cover much of the coast. The presumed stern is to the right. (Click any image to enlarge.)

There are no frames or floor timbers. A single sitting thwart (beneath the religious statue) is the only interior structure. A ringbolt (not visible here, but shown below) near the end at the left of the photo presumably designates the bow. The associated fishing net seems to have a drawstring at the bottom. We believe this is a cast net with a purse-type closure.

Both ends have small, shaped transoms well above the waterline at the ends of the upward-rising flat bottom. The garboard plank is rabbeted into the sides of the transom. There appear to be at least four strakes of varying height per side. The planks are quite thick and the boat is probably too heavy to be carried by one man. We could not make out the method of fastening, but suspect the planks are edge-nailed to one another. Several sheet metal patches have been fastened with nails on the exterior to repair damage, and painted over. 

Ring bolt fastened through the bottom at the presumed bow to secure the painter.

Plan view of the stern shows that the bottom is made of three strakes, the center one being the widest. The rising ends of the bottom are separate pieces from the central bottom plank, and they are hollowed, dugout-style. This is an interesting, rarely-seen stage of boat development, representing a small step between the extended dugout and the purely plank-built craft.
Also apparent is the substantial shaping of the side planks. (The bow is similar.) Given their thickness, we presume the planks are hewn to the desired curves near the ends rather than bent to shape. The builders may find it easier to build the canoe with a transom than with stemposts and sharp ends, but the substantial hollow of the planking curve just inboard of the transom appears to have no functional explanation, and is probably aesthetic, or perhaps a design holdover from earlier dugout construction. It is somewhat reminiscent of the extended platforms at the ends of many dugout canoes from Ecuador and elsewhere.

This model is also part of the cholo pescador section of the same exhibit. It depicts a larger, more seaworthy, double-ended type with sharp ends, probably used by the same people in more open waters along the coast. It shows two sets of internal, sawn frames, two heavy thwarts, and seats at both ends. It is unclear whether it represents a large extended dugout or a boat that is entirely plank-built. The boat would accommodate a larger crew than the small canoe shown above and be capable of taking significantly larger catches. 

Fishermen's tools. Top: net needles. Bottom: harpoon heads